“Afloat” Image. Ceres Gallery. New York. Solo Show.
Technique has never inspired an idea for one of my shows. Or even a title for a piece. By the way, titles mean very little to me. It’s a visual medium. If you have to look at the artwork through the lens of what the artist wrote as its title, you are not using the discipline for what it was intended. You are not looking.
A man and a woman walked into my exhibition, “Afloat: An installation” in New York last March. They were an extremely engaging couple. They “got” my work to an extent that no one usually does. We laughed and joked about things and it turned out they were artists.
The woman had been doing some work with crayon and a hair dryer. Blowing the hot wax around. Using acrylic paints as watercolors by watering them down and letting them drip. Artist talk. I enjoyed them immensely. They could see the theme of most of my collages was based on natural disasters. They were inspiring me to use the technique of paint running all over the canvas as something to try for my new body of work.
Mudslides and Meteorites.
Love this piece and hearing about your art conversation .
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Thank you, Claudia. It was so much fun. Usually it’s hard standing there, trying to look indifferent. But this was a different situation!
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Thank you for writing so eloquently about an annoying but necessary task.
There are so many great works of art titled “untitled.”
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Thanks for your comment! You are right!
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Love this one, maybe since my vision isn’t the greatest. Feels like everything so clear. Was in a great museum in Hobart, you carry an iPod to see the title and artist of the piece. You look at all the works first totally on your own. Fabulous place in Tazmania!
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Nice! I like that!
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