February 6, 2025

Michael, 72 x 48 inches, oil, acrylic and collage on canvas, 2025.

The above painting is going to be shown at my solo show in Chelsea, NYC at Ceres Gallery:

“Lilies and Angels”
Ceres Gallery 547 W 27th New York, NY 10001 March 4-29, 2025, Gallery Hours 12-6 PM– Tuesday through Saturday, 12-8PM– on Thursday. Reception for the artist: Thursday March 6, 2025 6-8PM.

For more information, contact me: http://www.hollishildebrand-mills.com


art, artist, painter, collage, Chelsea artist, New York artist, archangels, angels, contemporary



















I first was introduced to Pat Sharp by a mutual friend of ours, a neighbor of hers when Pat lived on Lombard Street in Philadelphia. We met in a crowded seventies singles bar. Pat was hoping to hire someone to work with her, painting murals for interior decorators. I showed her my portfolio. I was hired.

The Pat I met on that rainy spring night was the Pat I would know for many decades. A personality bigger than life. As if what was inside of her couldn’t be contained by just her body. Her energy field extended way far beyond. As most people are, she was a mix. Pat was a mix of the ethereal, ( her extensive knowledge of astrology ) and the practical. Not loud or bossy or even demanding. She was a great deal older than I was, but she acted young and effervescent and she laughed a lot. Sure, I would like to paint murals with her. I was not working at that singles bar anymore and I had a feeling it would be fun to work with Pat.

Pat painted the walls with either a large or small crew in peoples’ homes. An example of a small crew was me alone being asphyxiated in an oil painted plaid closet. The decorator had sold the job to someone with bad taste, as was often the case. We would go into these expensive townhomes or penthouses, Pat swinging a paint can, later, sloshing a coffee cup, later still, a beer can. (“Don’t worry,” she would say, “There’s a drop cloth underneath me!”) Her car was a giant ashtray filled with spilled dried paint, paint cans and root beer barrels with root beer barrel wrappers. It was missing the muffler. Also consider the equipment she had to lug around: ladders, 5 gallon paint cans, drop cloths, etc. And I have to say, the car was a maroon small sedan with black interior which of course, you couldn’t see. We, the crew, would crowd in and she would drive us to the job, where she worked alongside us. My being alone in the plaid closet was an exception.

A large crew example, was a job which required scaffolding and six of us painting the kelly green living/dining room walls with white bamboo designs from baseboard to crown molding. This was a client who fixed us, the crew, breakfast, lunch and dinner on white tablecloth covered tables, in her dining/living room. My brother, Rusty even worked for Pat, not that he lived in the area, but during a summer break from college, he came to visit me and Pat put him to work on the bamboo job. Rusty, being a terrific dancer, taught us all how to dance on the scaffolding. Philadelphia was the center for old school soul music. An ordinary AM station had great dance tunes. Back and forth on the highest of levels, Pat and her crew learned how to dance, paintbrushes in hand.

All her life, Pat was a painter. A true artist, understood by others or not, she remained true to herself. She was giggly, fun, a gourmet cook. She had even been called a walking talking party. When she was visiting the food pantry because she had no money for food, she would make these gourmet meals, eating and enjoying them by herself. Actually she made meals which transcended gourmet. A foodie before Pat knew the word.

That was the Pat I knew. I knew her as this incredible, validating, vivacious artist who made up her own rules and charged through life with immense energy. Later on, many years later, she was living in a coastal town in Maine, ( which, she told me, is a Pisces state ) and she would laughingly tell me she was banned from the dollar store, ( How do you get yourself banned from a dollar store? ), kicked out of her doctor’s office, frequently saying “This is not the America I grew up in !” I had no idea that someone could be kicked out of those places and it’s interesting I never asked her why. Why? because it happened to Pat. But mostly charming to people, her auto mechanic, Dave, traded his work on her car for a painting of Pat’s. He had it hanging in his automotive office for years. An oil painting of water in a gold luminescent frame. She was proud of that work. The Water Series. And happy Dave liked it enough to buy it. She became attached to people and took care of them, in a way.

I miss Pat’s phone calls, her talking about Paul Klee giving her advice in her dreams, her many friends, fashion designs ( and executions ) she did for Milbridge’s Black Fly Ball every year, the Sunday suppers she attended at the church every week. And how proud she was of Jen and her husband, Lafayette. And of course, Cosima, Rafe and Ashton.

Nope, I guess there’s no replacing Pat Sharp. Touching my heart and life and the lives of so many. I will have to get to the other side to see her again. And with her, it could only be a great adventure!

Patricia Sharp May 4, 1939-December 12, 2023

Pat Sharp in the 1980s painting on her front porch in Medford Lakes, New Jersey.

Copyright 2024-2030 All Rights Reserved Hollis Hildebrand-Mills and Jen Compton No reproduction of Patricia Sharp’s artwork or photograph made without the Sharp or Compton family’s permission


Hollis Hildebrand-Mills

Divine Imagery is Everywhere (TM)

September 13, 2022

September 6- October 1, 2022 (going on now), I am fortunate to have a solo show at Ceres Gallery in New York City. My work, in the last few years, exemplifies our current lives, in the form of emotion and turbulence. That is what viewers have said. All art is a reflection of the time in which the artist is living. But Covid 19, by killing millions of people, resulting in fear and a total lockdown of businesses and schools, has created a dramatic paradigm shift in our culture, to say the least. There will be a closing reception on Saturday, October 1, 2022 from 12noon-3PM.

Ceres Gallery 547 W27th New York, NY 10001

All Rights Reserved Hollis Hildebrand-Mills. 2022

hollishildebrandmills.comhttp://hollishildebrandmills.com

As I have mentioned before, I filled out a sketchbook for The Sketchbook Project, part of The Brooklyn Art Library. The category for this one is, Hollis Hildebrand-Mills 2021 – “Thoughts”. This particular page has nothing to do with anything except I bought one of those diffusers you fill up with a scent which billows out this fragrant steam all night. I like this one especially because you can turn out the lights that change every few seconds. Change them to no light at all, so it doesn’t annoy you when you sleep. I bought it for my allergies, thinking my bronchitis would clear up. The neat thing is, that my husband and the dog don’t snore anymore. Which is really a benefit I never considered. And it is a nice feature. Yes my bronchitis is better, even though my allergist tried to steer me away from the diffuser when I was shopping for one.

Also I had fun drawing this and I can’t say that about all the pages in this book.

Hollis Hildebrand-Mills. All Rights Reserved. Copyright 2021-2025

This is another page from my sketchbook for The Sketchbook Project in Brooklyn at The Brooklyn Art Library. I owe a lot to the school where I received my BFA degree. In fact I talk to a group of my former fellow students every week on Zoom. These women all went to Moore College of Art and Design in Philadelphia, had the same teachers, went through the same grueling program.

Moore College of Art and Design was the same school Alice Neel attended. although in her time, the school was called Philadelphia School of Design for Women. When I went to Moore, there was a push to make it coed, but the board made a move to keep it a girls’ school, since the idea (new at the time) was that having men around as fellow students would make us less assertive and less competitive. A feminist idea.

After attending postgraduate classes at The Pennsylvania Academy of Fine Arts and the degree program classes at Atlanta College of Art (now Savannah College of Art and Design) where both schools were coed, I think as a society we were further along in our development and men were not a much of a deterrent. I don’t know if either of those two schools made me less assertive and less competitive. It seemed that in art schools, the teachers were always so “right” in their aesthetic that we as students were subservient anyway.

Back to Alice Neel, now showing in a major solo show in New York City at the Metropolitan Museum of Art went to the same art school as I did. She majored in Painting.

Hollis Hildebrand-Mills Copyright All Rights Reserved 2021-2025

Page from recent Sketchbook Project entry, July 2, 2021.

Having not written a post for a while, I feel like all is new. Actually all is new, because WordPress has changed their way of doing things. This may not post at all, because of this! 

This is a page in my sketchbook; I did this at our community pool a few weeks ago. I am a part of The Sketchbook Project, which is an interesting thing in and of itself.

The company was created by a few artists who actually went to the same art school I did for my post graduate work. They send you a blank sketchbook, you draw in it, then you send it back to them. They digitize it, then it is kept in what they named The Brooklyn Art Library. They used to put all the sketchbooks that were sent back to them in a bus (28,000 at the time) and travelled around the country, setting up the library in major cities. Now the amount of sketchbooks has probably increased by such a huge amount that this is impossible.But, if you go to the Brooklyn Art Library in Brooklyn, NY, you can “check one out”!(#sketchbookproject).

During the pandemic, let’s say between the months of
April 2020 – present time (March 2021), like most people, I was stricken. No one knew how to cope. Each person had never been through anything like this. I was coping in my hometown of Atlanta, Georgia.

For the past year and a half, I had been planning a solo show in New York at Ceres Gallery. It was entitled BENEATH. It became obvious that the show scheduled for April 28-May 23, 2020 was not going to take place. That the city, truly, was “beneath”. Even my paintings, done on large canvases and framed collages on paper, had little spores surrounding skulls and a certain amount of gore. All this coming from The Universe, knowing before I did, what was to come. A topical body of work, but one that was to be seen virtually, otherwise held back, until the virus was finished crippling our lives.

The photo below was taken in my basement studio. My downtown studio was “locked down”. I have moved some of the work for this show to the downtown studio and some, like the above, “Echinacea” is in our home, in a studio I had created years ago, in case I couldn’t get to the one in the the city of Atlanta.

The show will take place, once again scheduled for New York, this time in 2022, in September. A year and a half from now. I will include this work, adding and subtracting pieces to fit the times as this work did for April of 2020.

IMG_6693

Ceres Gallery is having their annual group show, “Raising Women’s Voices II,” June 25-July 20. I am exhibiting the piece above, made up of collage, oil and acrylic on canvas. There is charcoal in it as well. No internet images, just magazine tear outs. My piece, entitled “Coat Hangers,” measures 26″ x 36.”

The opening reception for the show is Thursday, June 27, 6-8PM.

Ceres Gallery
Suite 201
547 W 27 Street
New York, NY 10001
Hours: Tuesday-Saturday, 12:00-6:00PM, Thursday 12:00-8:00PM

212 947 6100
art@ceresgallery.org

IMG_2872.jpeg I have been invited to participate in Art Papers 20th Annual Art Auction. The collage above is what I have donated. It is made up of magazine pieces, paint, pencil and pen on board. Framed in a 2 and 1/2 ” deep floater frame. The piece was started and completed last week. (2019) It measures 5″ x 5″ and is titled “It took So Long To Bake It”

You can make a bid for it online if you go to http:www.artpapers.org/events

The live auction is on March 2, 2019, 7:30 PM at 200 Peachtree St. N.W.
Atlanta, GA

I hope you can join the fun! It is a very special art magazine and I am participating with a lot of very talented artists!