Archives for posts with tag: Orion Pictures

Day Eighty-Seven/Image Eighty-Seven

“Afloat” Image. Ceres Gallery. New York. Solo Show.

The woman in “full color” is being wooed by the Black and White man. He is blowing up a balloon for her. She looks happy, but not overly so. And he looks like someone from another era. After all, he is in Black and White.

The colors in this collage are pretty bad. Even with the addition of black and white, which sometimes can elevate a color-challenged piece. But as I said, the man is not making the “in color” woman that happy.

I need to talk about this. This could be considered a rant. But I don’t care. In fact, maybe the last thirteen of these collages in “Blog As Gallery” will be rants.

This is a rant about people enjoying the names of colors, rather than looking at the colors by themselves and letting that be enough.

Like someone will say “Sea Foam Green.” That’s an old one. Or they will say their walls are “Biscuit.” and they act so smug as if the name of the color dignifies it. Or augments it. (Augment: one of my favorite words.) “Chocolate Brown.” Or “Cotton Candy” Or “Heather.” Come on now, does anyone over here really know what heather looks like? Or “Wine” and “Cranberry.” (Always in Autumn, just in time for Thanksgiving) These people love saying the words. “Ecru”, “Eggnog.” ”Eggplant!” Never mind, it does not even remotely look like the color of an eggplant! And honestly, if it weren’t around Christmastime, the true color of “Eggnog” would make people want to barf!

There is actually a color for walls called “Decorator’s White” (I wonder who thought that one up) I mixed my own color for our ceilings and the paint store named it “Hollis Green.” Not the Hollis Green on the TV Show “Big Love”, but naming the color I wanted, which was not even green. “Hollis Green” was turquoise!

Obviously, this is a source of great irritation for me. I guess because I love color; it does not need a name to be enjoyed. In fact, don’t get me started on the naming of clothing like “Boyfriend Jeans.”

Day Eighty-Six/Image Eighty-Six

“Afloat” Image. Ceres Gallery. New York. Solo Show.

The collage above looks like a farmer‘s hands proudly presenting his crop’s output.
I never thought of this before, but looking at it now, it reflects that expression “Manna From Heaven.”

Maybe because the arms of the person are all that is seen; the produce seems to be given freely. No strings.

A lot of artists and musicians believe the Universe is talking to them all the time, giving them creative ideas. Michael Jackson and Prince were both spiritual people. And they liked this idea of the Universe handing out ideas. Michael Jackson told the press once, when he was asked how he maintained his strong work ethic? He had to listen very carefully, lest The Universe give his ideas to Prince.

I wonder how Prince feels now about keeping these ideas to himself?

Day Eighty-Five/Image Eighty-Five

“Afloat” Image. Ceres Gallery. New York. Solo Show.

Last year when I went to the gym, I was called the Scuba Planker. I did an exercise called The Plank. The Plank is done by placing your elbows on the floor with your forearms in front. You rest the weight of your body on your elbows, supported by your toes, keeping everything else in your body in a straight line off the ground…….holding it for as long as you can. It is very hard. At first I could hold it for 30 seconds, working my way up to holding it for 2 and a half minutes.

It is difficult. I did not want to be doing it except that it is to strengthen the center part of your body. No one in their right mind would want to be totally present while doing it. And because it hurts the longer you hold it, I visualized I was under water. Therefore I was called The Scuba Planker.

I would pretend I was snorkeling for sea glass, close to the shore. I would imagine that I was picking up each piece, investigating it, putting it down.

I was having a hard time emotionally one day, and while doing this exercise, I went into my visualization and I started to look around, not at the bright sun-lit sea glass, but out at the foggy blue water. As I struggled to get through my two and a half minutes, out of the opaque water came a shark!

Ouch! But why complain? I am the one who invented this visualization trick in the first place! Almost better to feel the pain and be in the real world of the gym than have a shark coming at you!

Click link below to see my friend Tom Campbell’s musical tribute to “Scuba Planker” (courtesy of Dan Shewbridge)
http://mildpanic.com/2013/11/scuba-planker/

Day Eighty-Four/Image Eighty-Four

“Afloat” Image. Ceres Gallery. New York. Solo Show.

Our family lived in Pennsylvania when I was a child. And my brother and I would sing a song we made up as my father drove past the refineries in Camden, New Jersey. From the backseat, we would sing this dumb song, extolling the glory of these huge metal structures. Of course there were some gray ones, but I do think an attempt was made to beautify the environment with pink, yellow and blue ones. Big silos and smokestacks, all seeming to tumble over each other as we passed over the bridge. The pastel colors would disappear under our car.

I know now, these smokestacks and refineries dump pollution into the air. Smoke and gases and horrible stuff. But I think the early influence of folding this into my aesthetic, began with the smoke stacks of Camden, New Jersey, as it was then.

Day Eighty-Three/Image Eighty-Three

“Afloat” Image. Ceres Gallery. New York. Solo Show.

The beer bottle and its “background” are mixed together. The background comes foreword and the beer bottle recedes in places. All being of one color, the collage works well. The space is flattened, making it one piece, one of my favorite types of successes in artwork.

Thursday, my daughter’s AP Art Class is coming to my studio space and I will talk to them about art.

My studio in Atlanta is a huge classroom. The space is inside an historic building. An old schoolhouse built in the early 1900’s. The building houses some of the most interesting arts communities in Atlanta. A radio station, (WRFG-FM Radio), Horizon Theatre, (a theatre company), Art Papers Magazine, seven artists’ studios among other businesses. A wonderful place. I feel lucky to do my artwork there. The artists’ studios are not open to the public. Therefore my studio is just for work, not for showing my work to the public.

Each student in the class will bring a sequestered outlook from their background in the suburbs. Their young minds still not open to accepting things not in their daily environment. The building, first of all, is located in an “artsy” part of town. Every city has one: tattoo places, motorcycle hangouts. Places that pierce you, but look dubious.

These children are suburban kids. Hopefully just seeing the inside of a radio station or watching Horizon Theatre constructing their sets on the front lawn will mix up their outlook and cause them to consider other avenues.

Day Eighty-Two/Image Eighty-Two

“Afloat” Image. Ceres Gallery. New York. Solo Show.

Multi-lateral thinking. I don’t know if this is a psychological condition or not. But I do know, that, in contrast with my husband, who is more of a linear thinker, I think about many things at one time.

Aside from going to the movies to enjoy myself, I go to the movies to think about my problems. And I come away, having solved them all, made lists mentally and organized the week. And followed the plot at the same time. It’s relaxing really to know that all is handled in my life.

My husband, on the other hand, can watch the most boring movie and pay attention to every detail all the way through.

The only time this movie-going organization gets sticky and I can’t hold onto the plot of the movie, is when there are a lot of facts going on. My brain is incapable, I guess, of holding onto so many layers.

Then I turn to my husband and say, “What just happened?” Needless to say, he gets irritated.

Day Eighty-One/Image Eighty-One

“Afloat” Image. Ceres Gallery. New York. Solo Show.

Celebration! A teaming madhouse of humanity all jumbled together to run a race called “The Peachtree Road Race!” It is a big event in Atlanta! A six miler, with tens of thousands running early in the morning on the Fourth of July. Before Atlanta’s heat steams all of us: runners and non-runners and before we non-runners can admire all the people who “did” it. Wearing their T shirts proudly.

That’s what you are looking at. Plus a few of my balloons and puffy colors. Just to make it look even more festive. If there were aliens looking down on this scene, what would they think?

Day Seventy-Eight/Image Seventy-Eight

“Afloat” Image. Ceres Gallery. New York. Solo Show.

My daughter gets all dressed up for homecomings and parties. Everything is agonized over. Makeup for professional photographs done by a so-called professional makeup artist, only to be redone in the car mirror. Dresses tried on and captured by an Iphone from every angle to be reviewed and texted to her friends before considering. Hundreds of dresses to be hung up in the dressing rooms of many many stores. All nice, hip and trendy, smart, elegant, perfect, in fact. All fitting perfectly, but something not quite right each time.

Until the unanimous report comes in that alas! This dress is perfect (My daughter says, you have to be careful shopping with other girls because they will tell you a dress looks good on you just so they can look better than you at the dance. Her grandmother, who is ninety-two, agrees with her.)

I get tired of all her shopping and primping. Put raspberries in your hair, my daughter. You are only this young for a minute.

Day Seventy-Seven/Image Seventy-Seven

“Afloat” Image. Ceres Gallery. New York. Solo Show.

Google captures some of my earlier stuff (Google captures everyone’s earlier stuff) where I went a little crazy with natural disasters. I even had a solo show in Atlanta where, although I did not mention natural disasters in the title of the exhibition, the entire body of work consisted of volcanoes and floods.

I exhibited in a solo show in New York with this kind of work also, but I did own up to the subject matter this time by using the title, “Tectonics”. In both of these shows and in all the work I do with this theme, I approach it from an aesthetic point of view. I love explosions, tidal waves, fire and brimstone. I like the chaos, color, motion and excitement. The nature of natural disasters encapsulates these things.

The above work is one of the collages from the “Afloat: An Installation” series, using this theme. Flames and explosions amid a lovely valley near a snow-covered mountain. I searched extensively to find magazines with fire, explosions and smoke on the printed page. (I do not use photoshop or internet images ever. All of my collage work is cut paper from magazines and other printed material) I like cut printed material for this type of art because even magazines are now on the internet. I am combining what-is-becoming old fashioned materials with an old fashioned medium.

What is not hard to find, however, in magazines, are flowers. And I love how I put the foreground flames side-by-side with over-sized flowers. As if to say, hey, all is okay.

Day Seventy-Five/Image Seventy-Five

“Afloat” Image. Ceres Gallery. New York. Solo Show.

Pink. Looks like an advertisement for a cosmetic company. I cut out pictures of cotton balls on the plastic of cotton ball bags. Bubbles, baubles and a pretty face. Fun. A flower in the middle.

How I love its superficiality and innocence! And, as an art form, I love the integration of colors and shapes.