Archives for category: painter

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Another photograph from my solo exhibition in New York. This one includes two paintings on the right side of the gallery. Again the show is up until May 21st. If you are in the area, “The Cross Series” is at 547 W27 Street, Suite 201, New York, NY 10001. Phone: 212. 947. 6100. The hours: Tuesday -Saturday 12PM-6PM, Open until 8PM Thursday. The gallery director is Stefany Benson. If you go to my show, please introduce yourself!

www.ceresgallery.org

 

 

               Copyright     Hollis Hildebrand-Mills 2016     All Rights Reserved

IMG_5895This is not the first time I have associated with the shipping company, US ART. The art handling company has hauled off lots of my work to various shows, to all parts of Manhattan. Poughkeepksie, College Station, Texas and Tuscon, Arizona. The times I haven’t used their services have turned out in disaster. One of my paintings wound up at someone’s house in North Georgia, where, if I had not taped my business card to the back, I would have never seen it again. Another time, some toys were sent to me, my painting, gone.

US ART has gone a little overboard with my stuff. For good reason, I found out. Some of the drivers from the refrigerated blue eighteen wheeler wear white gloves to carry my work out. Some act very nervous, looking out the window at the truck below my studio window. Since I am in the habit of talking to everyone anyway, I discovered, while chatting up the packer, that my volcano painting was resting next to a Matisse. They take good care.

1. Gabriel.jpgAbove is the signature image for all publicity, concerning my upcoming New York show. I am exhibiting a select group of paintings from my series, “The Cross Series.”

The group totals nine paintings, each 4’ x 6’. The work is basically abstract, as you can see, with the cross as a grid, anchoring the abstraction.

As I say in my press release, “The cross is the most basic of symbols, primitive, in that it coincidentally represents vertical man/woman standing in a horizontal world… The possibly religious content of the paintings takes a back seat to the form. The cross does not merely belong to Christianity.”

Still, the icon looms powerful enough to be incongruous with the sometimes street art and wild posting-like abstraction.

It has been a long haul, my sweet blog followers. I started out doing a series of work based on my association with my clothes and my memories. I even completed several paintings and a few drawings, using this theme. And I am not ditching it. I have decided to return to it after my New York show. BUT, with a method of painting very much like the painting above. I think I had to do the “Cross Series” first and hit my stride, then return to a personal theme like clothing/memories. The work I previously did on the clothing series was far too figurative, not enough depth and a tad illustrative. I was unhappy with it and the work dragged on and on. No enthusiasm.

If you are in the area, the show opens Tuesday, April 26th. The reception for me is Thursday, April 28th. from 6-8 PM. It is at Ceres Gallery, 547 W 27th Street, Suite 201, New York, NY 10001. It will be up for about three weeks, coming down May 21st.

I am in the process of working on my website. My website needs updating. It still has “Afloat” as my current work. I use collage in “The Cross Series” also, but with paint, (oil and acrylic) charcoal and pencil. It seems that collage has become my life’s work, having used it with video, paint or strictly cut paper from magazines.

I had a friend in art school who called me the Queen Of The Nonsequitur. I think my love of collage has something to do with that: mixing pieces normally not together, making things work.

Copyright 2016 Hollis Hildebrand-Mills All Rights Reserved

Photograph courtesy of Tom Meyer Photography

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Here is Orion Crook at the closing reception of his curatorial exhibition “Living Case.” His face is framed by one of the rings I used in my installation, “Afloat” in New York a few years back. He used these squishy rings I made in a different way, making them a part of one of his themes, art is life, subject to decay. They worked well with the partially rough and jagged walls of eyedrum.

The rings also gave a person slight disorientation while entering the gallery, as he put them on the floor as well. Not knowing where the ceiling, floor and walls were, as these rings ran throughout…over, under and around the gallery.

I am very happy to have been a part of such a refreshingly creative group exhibition, filled with music, visual art, living creatures, plants, lighting, costumes, neon and performance art! An asset to Atlanta’s “art scene!”

image Here is a little section of a very large painting I am working on for my April solo exhibition in New York. It is acrylic right now but soon will have a coat of oil paint to enrich the surface.

Copyright 2015 Hollis HIldebrand-Mills All Rights Reserved

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Orion Crook is also an artist. He approached me in the Spring of this year, asking me to be a part of an exhibition he was in the midst of curating called, “Living Case.” He came to me, having seen my installation, “Afloat,” on the internet: the one I did for Ceres Gallery in New York’s Chelsea area. He was attracted to the one hundred squishy rings I made for my show.

Although this is a group show, and he is working with many artists, he is holding true to his vision of the organic flow of life and death. Of growth and decay.

Living Case
eyedrum Art and Music Gallery
88 Forsyth St SW
Atlanta, GA 30303.

August 15 – September 5, 2015
Opening reception:
August 15, 2015
7PM-10PM

Come out and support this event. It will be like nothing you have ever seen!

Copyright Hollis Hildebrand-Mills 2015 All Rights Reserved

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As you can see, the pallet is in shades of pink. My usual: Dark to light, bright to dull. I can’t say that this sojourn back into the metaphysical world of painting is easy. It’s incredibly hard work. But so far, after the struggle and the dread. The knocking over the paint bucket and the general awkwardness of it all, it is finally giving back to me. The work is giving back to ME! This is why I keep going.

Copyright Hollis Hildebrand-Mills 2015 All Rights Reserved

IMG_3383 Mixing up colors. Dark to light. Bright to dull. I miss the days when the yogurt cups had plastic lids.

Copyright Hollis Hildebrand-Mills 2015 All Rights Reserved

IMG_2652People are talking about the jealousy they feel when they look at Facebook. Some are deactivating their Facebook accounts to save themselves the “drama.” The drama, of course, being the envy they feel, of not being able to afford to go to the beach, not having a relationship, not getting married, not having kids, whatever. Not having a beautiful job!

It is well known that only the high points of peoples’ lives are presented there. So why are we jealous when someone is smiling behind a Pina Colada?

I think it is because we are desensitized, due to the everyday assault of images coated in glamour. Reality TV has become a standard. We accept it as real. Reality TV came about when no one was around to write screenplays for television shows. There was a writers strike going on at the time. It was cheap, plotless broadcasting. And remains cheap, plotless broadcasting.

Given this, people actually think their ‘friends’ on Facebook are doing better than they are. And the number of ‘likes’ are there to prove it.

I guess it makes sense to brag about your child’s accomplishments rather than talk about how much yeast medicine you have to use due to a long term prescription of antibiotics. Or while you had the flu, the nearest place to vomit was a trash can right outside the movie theatre. Granite countertops do not barf, yell at their kids, have nosebleeds or smear jelly all over their jeans. We all want granite countertops, stainless steel appliances and sunken sinks with “OMG! I can’t believe it!”

Is a selfie of those people taken, straining out from a line at the pharmacy of, say, six people? Or, better yet, a selfie taken of the pharmacist and the sick person? How many ‘likes’ would a person get there?

Because real life is not Facebook. Real life is not Reality TV. And those people who seem to have everything, do not. They just don’t take photographs of themselves when they are wiping a stain off their shirt, eating chips and salsa. The people on Facebook pose for those Facebook pictures, iphone clicking away, with a face they think looks best on them.

A face that looks like they have everything too!

Copyright Hollis Hildebrand-Mills 2014 All Rights Reserved

DSCN0771We as a family were bumming around New York as we usually do, going to bookstores and thrift stores, stopping here and there, soaking in all the wonderfulness of Manhattan. I cannot remember the year, but our daughter was probably between six and ten at the time. Not quite up to my shoulder.

We were in SoHo, and happened upon a lovely neighborhood, as they all are in SoHo. We walked up the stairs to a consignment store. Or used clothing store, more aptly.

I picked out a particular shirt to try on. It was only $16.95. As I was in the dressing room, I tried on the simple gray plaid shirt. I honestly did not like the way it looked on me, nor did I have anything to go with it. I decided to put it back. As I was taking it off, regretting that I had to actually reject something to wear, (God forbid) I looked at the price tag. It was $1695.00!!! I silently said, “Yikes!”

I opened the curtain and the entire staff working in the store surrounded me. I merely said, “I didn’t have anything to go with it!”

We descended the stairs, walked down the block and I told my husband and daughter what happened. We wondered about the origins of such a shirt, (a celebrity owned it?Perhaps Madonna?) It looked rather worn. But in any event, (as my mother would say), we were aware that the workers in the store wanted to see who was behind the curtain trying on this plaid shirt!

Copyright Hollis Hildebrand-Mills 2014 All Rights Reserved