Archives for posts with tag: Anne Umland Curator MoMA NY chose Hollis Hildebrand-Mills’ painting for NYC exhibition

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Here is Orion Crook at the closing reception of his curatorial exhibition “Living Case.” His face is framed by one of the rings I used in my installation, “Afloat” in New York a few years back. He used these squishy rings I made in a different way, making them a part of one of his themes, art is life, subject to decay. They worked well with the partially rough and jagged walls of eyedrum.

The rings also gave a person slight disorientation while entering the gallery, as he put them on the floor as well. Not knowing where the ceiling, floor and walls were, as these rings ran throughout…over, under and around the gallery.

I am very happy to have been a part of such a refreshingly creative group exhibition, filled with music, visual art, living creatures, plants, lighting, costumes, neon and performance art! An asset to Atlanta’s “art scene!”

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Orion Crook is also an artist. He approached me in the Spring of this year, asking me to be a part of an exhibition he was in the midst of curating called, “Living Case.” He came to me, having seen my installation, “Afloat,” on the internet: the one I did for Ceres Gallery in New York’s Chelsea area. He was attracted to the one hundred squishy rings I made for my show.

Although this is a group show, and he is working with many artists, he is holding true to his vision of the organic flow of life and death. Of growth and decay.

Living Case
eyedrum Art and Music Gallery
88 Forsyth St SW
Atlanta, GA 30303.

August 15 – September 5, 2015
Opening reception:
August 15, 2015
7PM-10PM

Come out and support this event. It will be like nothing you have ever seen!

Copyright Hollis Hildebrand-Mills 2015 All Rights Reserved

IMG_1674Some of the trees in our woods were cut down yesterday. Maybe thirty trees. The tallest one was taller than our house. I felt like it had feelings. The man who owned the arbor company said it was a “weed.” I guess he knew. A lot of pruning was done. And now when you look at our woods, it’s not thick and black like a jungle. Which is good.

He was very knowledgable about the trees. As we made our way into the jungle a day before the buzzsaws and tree shredders started, he pointed out the different varieties of trees by name. I swatted mosquitos. He talked about this one’s leaves being good for making tea. And this one needing to come down because it housed insects that killed the other trees. One, he said, was even struck by lightening!

Among all this learned pointing, was a Southern Coastal monologue about almost everything else. He used the expression, “She was as country as a ham sandwich!” He made me laugh as I itched, wanting to get the heck up the hill to air, daylight and bug spray. He spotted a little patch of something and he said, “That’s a white oak.”

White oaks surrounded The Twin Towers in New York. When we were at The 9/11 Memorial, the permanent one, recently completed, white oaks were replanted around the Memorial. The leaf was used in the museum. Every person killed in the attack was represented with a photograph, several times. Those whose picture could not be found, were assigned a white oak leaf with their name underneath.

I thought about the footprint of the North and South Towers and their massive box like fountains, which is now the Memorial. The space above them remains empty in honor of the people who had worked in those buildings.

Sort of like my tree that used to tower higher than our house. Its spirit still there. But this big empty sky now visible.

Day Twenty-Two/Image Twenty-Two

“Afloat” Image. Ceres Gallery. New York. Solo Show.

Image twenty-two (got the number right this time) is probably my least favorite of the one hundred collages in the installation. Of course, the stats on WordPress, if they are accurate, will show that everyone likes this one the best, as has been my experience before.

I don’t know why. I just think I should redo it. Add some people. Put in an urban background . Mix it up a little. I was on my “round-things-are-light-and-airy” phase of doing these collages. Before I slipped back into tidal waves and destruction.

Maybe if I had a tidal wave in the background coming at the ruins, it would be more to my liking……

Day Twenty-Six/Image Twenty-Six

“Afloat” Image. Ceres Gallery. New York. Solo Show.