Archives for posts with tag: “Afloat: An Installation”

Reblog Number Two

Hollis Hildebrand-Mills's avatarHollis Hildebrand-Mills

Day Seventy-Three/Image Seventy-Three

“Afloat” Image. Ceres Gallery. New York. Solo Show.

Some people seem to be surrounded by rainbows and moonlight. They seem to have the freedom to fly away at whim. Not me. I get called for jury duty. I have served on about twenty juries, criminal and civil. This is the opposite of moonlight, rainbows and being free.

When I am stuck in the courtroom, waiting to be called for my interview in front of everyone, (of course, having to stand while being interviewed for selection) a slow anxiety permeates the room. It’s always a red room, which, to me makes it worse.

First off, in murder trials, there is the alleged murderer looking at me. Pointing at me, indicating to his lawyer he wants ME to be on the jury. There is this suffocating feeling of never being able to leave.

In civil trials, there is haggling in the jury…

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Number One Reblog

Hollis Hildebrand-Mills's avatarHollis Hildebrand-Mills

Day Sixty-Three/Image Sixty-Three

“Afloat” Image. Ceres Gallery. New York. Solo Show.

This volcano looks happy! Lots of brightly colored dots coming out of its center! Certainly not harmful, destructive gases, lava and fire! But jelly bellies and grapes and bubbles!

These exclamation points above, both in the collage and in my opening paragraph, are not just because I am an exuberant person.

The printed sentence has no inflection. No tone of voice to soften a neutral comment that could be misinterpreted to mean something harsh. No tone of voice to explain something in a compassionate way. We have two options when we text or email someone. We can end the sentence with an exclamation point or a period.

At the risk of sounding a little nutty, I would rather end a sentence in an exclamation point than have someone take my sentence to mean that I am angry, sad, or dismissive. (It has…

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Day Ninety-One/Image Ninety-One

“Afloat” Image. Ceres Gallery. New York. Solo Show.

After soliciting my WordPress “Blog As Gallery” to a few publications in town, I have had some encouraging news about some coverage. I do not know when or where yet.

Therefore, to extend the run of my one hundred (after all, even with a few miscountings in the beginning, I am up to 91…..) I am going to run ten of my most successful blogs starting tomorrow. The ones I think are my most successful in this series of one hundred from the exhibition “Afloat: An Installation.”

After the ten reblog days, I will complete my “Blog As Gallery” with the rest of my one hundred collages. Then, I will move on to a new project. But still post my “stuff” everyday here.

Even though you may have seen these reblogs before, please feel free to add more comments. After all, I do sound like such an authority sometimes!
 🙂

Day Ninety/Image Ninety

“Afloat” Image. Ceres Gallery. New York. Solo Show.

Since my sinus surgery, I have been eating a lot of Chinese food. The other day, I opened my fortune cookie. I noticed, that at this particular restaurant, the fortunes are so positive! “The Best Mirror Is Often A Good Friend”, “You Have The Makings Of A Winner.”

Other restaurants, not so. This one restaurant gave out cookies that were a little too personal. Positive, but personal. “The Love Of Your Life Is Sitting Next To You”, “You Are Soon Going To Change Your Line Of Work”, “You Will Be Invited To A Small Gathering With Lots Of Spicy Conversation.” Hey, not so close, Buddy!

It had me thinking. What if the fortunes were not only not positive, but downright menacing? Like, “The Man Across From You Is Really A Murderer” or (And you have to get into this: You have to picture yourself opening that cellophane wrapper with some difficulty, and with some degree of expectation, breaking the cookie and smoothing flat the small piece of paper, then struggling to read it), ”Be Careful Around The Next Curve.”

What would you think? I know my wallet has a fortune and its date on it next to every photograph. Fully expecting that the fortune is apt.

If I read “Your Next Business Move Will Be A Serious Mistake” or “Your Sister Is Going To Die In A Mining Accident”, my life would be full of angst and dread!

Let’s open the one that says, “Simplicity Of Character Is The Natural Result Of Profound Thought.”

Day Eighty-Nine/Image Eighty-Nine

“Afloat” Image. Ceres Gallery. New York. Solo Show.

Color relationships. Color is only a color when it is next to another color. For instance, tan can become orange when next to a bluish color. And tan’s orange-ness is washed out when placed near white. In fact, white sucks all color out of what it is placed against. When you are painting a room and you look at a color chip (surrounded by white on the card), the shade appears on the card a shade lighter than it will be when you put the color on the walls. So choose a shade or two lighter than the one you like on the paint store chip card.

I learned color from a disciple of Josef Albers, who made studying color his life’s work. Fred Gregory was in Yale’s M.F.A. program.

I met Fred when I was taking postgraduate classes at Atlanta College of Art. I was in the last Color Theory class Fred taught before he died. I feel lucky to have learned all the things I did: fusion of two different colors, vibration between two colors, a third color appearing between two colors. How to make two different colors look the same when surrounded by two colors. How to make the same color look different surrounded by two colors.

At any rate, color is only color, in relationship to other colors.

Day Eighty-Eight/Image Eighty-Eight

“Afloat” Image. Ceres Gallery. New York. Solo Show.

I remember every outfit I have worn on every occasion. It’s not that I pay that much attention to what I throw on. Believe me, some days I go into my closet and drag out just anything. Mostly my Indian patchwork pants when I have nothing in sight to wear.

For instance (and those of you who have heard this before, just go on to the next), I still own the skirt I was wearing when President John F. Kennedy was assassinated. Not only do I remember the skirt and the blouse, but I still have the skirt and I placed a note on it with a safety pin, so that if something were to happen to me, this madras skirt would be documented. (I no longer have the blouse which was pale pink with smocking across the top.)

I remember what I wore when I first had lunch with my husband. We got lost in the parking lot and I thought it was going to be a great romantic escapade, but when he said something about me stealing his wallet, I was flattened. The dress was filmy and black and white striped with flying triangles all over it. Puffed sleeves. Very Eighties. And by today’s standards, really hideous.

The Earth Shoes, jeans, and Scandinavian sweater I wore at a disco (after I went ice skating) when I met the guy I was to move to Atlanta to be with. And the way my hair looked that night. I remember the womanizer I had an affair with for one year and the lunch we first shared. I wore a Rick Springfield T Shirt, (whoever he is) and tight black jeans. And the blouse I wore when we broke up: coral. A blouse I had spent a lot of money on. And I had had it for years.

The red dress. When my boss made a move on me outside my five-story walk-up. He showed me where Mike Douglas lived, so as to impress me before driving me home.

I have to say, that if someone I love says something negative about what I wear, either about my jewelry or clothes. Or some traumatic event happens while wearing the item, I will never wear it again. My daughter said to me once, when she was little. “Mom, you act like my sweaters have feelings!”

Sam Cook’s Bar Mitzvah. This time I remember what my daughter was wearing. She wasn’t even invited and we made the mistake of bringing her. She wore a pale yellow CP Shades top and pants. She was five.

Anyway, you get the idea. I think pinning the note on the madras skirt I wore when JFK was shot is a little much. As if others value clothes and their memories as much as I do. In a few years I will give it to the Good Will.

Day Eighty-Seven/Image Eighty-Seven

“Afloat” Image. Ceres Gallery. New York. Solo Show.

The woman in “full color” is being wooed by the Black and White man. He is blowing up a balloon for her. She looks happy, but not overly so. And he looks like someone from another era. After all, he is in Black and White.

The colors in this collage are pretty bad. Even with the addition of black and white, which sometimes can elevate a color-challenged piece. But as I said, the man is not making the “in color” woman that happy.

I need to talk about this. This could be considered a rant. But I don’t care. In fact, maybe the last thirteen of these collages in “Blog As Gallery” will be rants.

This is a rant about people enjoying the names of colors, rather than looking at the colors by themselves and letting that be enough.

Like someone will say “Sea Foam Green.” That’s an old one. Or they will say their walls are “Biscuit.” and they act so smug as if the name of the color dignifies it. Or augments it. (Augment: one of my favorite words.) “Chocolate Brown.” Or “Cotton Candy” Or “Heather.” Come on now, does anyone over here really know what heather looks like? Or “Wine” and “Cranberry.” (Always in Autumn, just in time for Thanksgiving) These people love saying the words. “Ecru”, “Eggnog.” ”Eggplant!” Never mind, it does not even remotely look like the color of an eggplant! And honestly, if it weren’t around Christmastime, the true color of “Eggnog” would make people want to barf!

There is actually a color for walls called “Decorator’s White” (I wonder who thought that one up) I mixed my own color for our ceilings and the paint store named it “Hollis Green.” Not the Hollis Green on the TV Show “Big Love”, but naming the color I wanted, which was not even green. “Hollis Green” was turquoise!

Obviously, this is a source of great irritation for me. I guess because I love color; it does not need a name to be enjoyed. In fact, don’t get me started on the naming of clothing like “Boyfriend Jeans.”

Day Eighty-Six/Image Eighty-Six

“Afloat” Image. Ceres Gallery. New York. Solo Show.

The collage above looks like a farmer‘s hands proudly presenting his crop’s output.
I never thought of this before, but looking at it now, it reflects that expression “Manna From Heaven.”

Maybe because the arms of the person are all that is seen; the produce seems to be given freely. No strings.

A lot of artists and musicians believe the Universe is talking to them all the time, giving them creative ideas. Michael Jackson and Prince were both spiritual people. And they liked this idea of the Universe handing out ideas. Michael Jackson told the press once, when he was asked how he maintained his strong work ethic? He had to listen very carefully, lest The Universe give his ideas to Prince.

I wonder how Prince feels now about keeping these ideas to himself?

Day Eighty-Five/Image Eighty-Five

“Afloat” Image. Ceres Gallery. New York. Solo Show.

Last year when I went to the gym, I was called the Scuba Planker. I did an exercise called The Plank. The Plank is done by placing your elbows on the floor with your forearms in front. You rest the weight of your body on your elbows, supported by your toes, keeping everything else in your body in a straight line off the ground…….holding it for as long as you can. It is very hard. At first I could hold it for 30 seconds, working my way up to holding it for 2 and a half minutes.

It is difficult. I did not want to be doing it except that it is to strengthen the center part of your body. No one in their right mind would want to be totally present while doing it. And because it hurts the longer you hold it, I visualized I was under water. Therefore I was called The Scuba Planker.

I would pretend I was snorkeling for sea glass, close to the shore. I would imagine that I was picking up each piece, investigating it, putting it down.

I was having a hard time emotionally one day, and while doing this exercise, I went into my visualization and I started to look around, not at the bright sun-lit sea glass, but out at the foggy blue water. As I struggled to get through my two and a half minutes, out of the opaque water came a shark!

Ouch! But why complain? I am the one who invented this visualization trick in the first place! Almost better to feel the pain and be in the real world of the gym than have a shark coming at you!

Click link below to see my friend Tom Campbell’s musical tribute to “Scuba Planker” (courtesy of Dan Shewbridge)
http://mildpanic.com/2013/11/scuba-planker/

Day Eighty-Four/Image Eighty-Four

“Afloat” Image. Ceres Gallery. New York. Solo Show.

Our family lived in Pennsylvania when I was a child. And my brother and I would sing a song we made up as my father drove past the refineries in Camden, New Jersey. From the backseat, we would sing this dumb song, extolling the glory of these huge metal structures. Of course there were some gray ones, but I do think an attempt was made to beautify the environment with pink, yellow and blue ones. Big silos and smokestacks, all seeming to tumble over each other as we passed over the bridge. The pastel colors would disappear under our car.

I know now, these smokestacks and refineries dump pollution into the air. Smoke and gases and horrible stuff. But I think the early influence of folding this into my aesthetic, began with the smoke stacks of Camden, New Jersey, as it was then.