Archives for posts with tag: Ceres Gallery

While shopping for my daughter’s second Prom dress, I happened to go to one of the strangest places. Mind you, my daughter has been in ballet for many years, therefore we are used to costumes, feathers and the bizarre quality the footlights bring about.

But my daughter had found her tribe, probably long ago, and her eyes lit up upon entering the grandeur and glue. But I was reminded of the circus.

Dresses hanging at least two feet higher than in a regular dress shop, (to allow for the length of the gowns), all squished into each other. They were catalogued by color. Rich, dazzling color.

Pedestals for self-viewing in front of huge gilded mirrors. Screens to dress behind. Girls being squeezed into cut-out sparkles, all lumpy and in need of Spanx.

The ring leader of this store sat behind a desk. She reminded me of Vito in The Godfather. Power was what she was about. And hustle was how she did business, while her minions worked the girls, oozing the words “beautiful!” and “you!” softly heard through the thickly carpeted rooms.

My daughter bought her dress there. Tasteful and elegant. I cannot tell you how this could be possible. Her manifestation of cheap glitziness was in the pair of shoes we bought, however.

Before the final touch was put on these lovely flat shoes, I fell into her trap. The circus leader had me writing a check. The male assistant then ascended the glitter strewn stairway to spray them.

He came down with silver glitter encrusted flats, telling us he went through two cans of spray paint. Carrying an extra can of Krylon silver glitter spray in case we needed to touch them up. I need say no more except that these shoes had clamped to them two clip-on earrings, rhinestones, of course. At the toe. The shoes could not be even tried on at the time because the paint was still wet. The assistant was respraying them in the dark outside as we were preparing to leave. Even the rhinestones had spray paint on them!

You get the picture. My husband returned them along with the third can of spray paint these stiff shoes might need. Our check was destroyed. Our dignity intact.

WhIle I am on the subject of my daughter’s Prom, she and I, of course, had to go Prom dress shopping. For Senior Prom.

Two Prom dresses. One remade and shortened (Her date was short all of a sudden.) The second one, altered for $225.00. Yup, you don’t want to know what the dress cost. Five pair of shoes: One pair, too high for the first Prom dress. One perfect for the first Prom dress. One not as dressy as it should be. (We are into the second Prom dress now.) One pair of shoes sprayed with two cans of Krylon glitter spray (The story of the glitter sprayed shoes is saved for another blog.) And, finally, the perfect pair.

Prom went off in the perfect fashion. Drama, dreams and delirium.

I want to go back to listening to the garbage removal truck outside!

Piece Of My Heart, Number Six

Vince Vaughn bought my daughter’s Prom dress.

He is making a movie in Atlanta. And the location unit chose the building where my art studio is situated.

I used to be in Advertising. And one of the accounts I worked on, was Orion Pictures Publicity. I am familiar with the movie business. Maybe not the production side, as this was. But I loved the hustle, bustle. The project to project. The excitement. I loved the collaboration. I loved how everyone was working toward a common goal. The hurry up and wait.

Is it possible I could have made a mistake to do what I do now? I am all alone. I see no one. Ever. I work alone. But I get ego recognition. The work is all mine.

In the movie business, you pitch in. There is not room for two egos in the limousine. With the exceptional Philip Seymour Hoffman hat sported by the guy on the ladder, the importance stays with the stars and the film company executives.

How did Vince Vaughn buy my daughter’s Prom dress? No one knew this was not an inconvenience to me. I did not attend the shooting. I did not talk to many of the workers.

But the preparation of the scenes demanded an excruciatingly long time. And, needing the money, as most of us do these days, I accepted compensation for the work done in the building.

When we lived in a quiet “In town” neighborhood in Atlanta, I used to walk quite a bit. I walked to the grocery store, which we called the Korean Market. How racist. And I walked just to walk.

A few years prior, after my job at the Ad Agency ended, I became a pet sitter, going from house to house, looking after peoples’ dogs and cats. I was attacked by a dog during one of these visits, and needless-to-say, I halted my job as a pet sitter. Why should I do this for money?

Therefore, my leisurely neighborhood walking excursions were filled with the fear of being attacked again. Around every bush, there could be a dog just waiting to attack me. And that fear bred more fear, because after all, don’t dogs sense fear?

I was leafing through a magazine one day and found an ad for a device a person could carry. It would emit sounds undetectable to humans (of course) and dogs would be repelled. It was perfect for mailmen, the ad said. And those on business having to come to unfamiliar houses.

Perfect! I would order this gray pancake-like item with little sound wave grooves on the end of it. And a button to push when a dog was near.

I carried it around on my walks. Still a little fearful. And also aware I was probably being duped. But hey, I had my gray dog repellent device and, if a boxer came near me, I would aim.

Whether it worked or not did not matter. Because I never had to use that thing. The other day, years after I had purchased this mysterious gray piece of plastic, I was cleaning out a drawer. I looked at it and with a little embarrassment, put it back in the drawer.

Belief in a dog repellent? Just like those round green termite traps that lie in our yards. Or the one inch square cut piece of sheet I own that Paul McCartney supposedly slept on at the Plaza Hotel. Or how do you know there is really a star out there with your name on it? Belief. Praying on love, fear or desire. It’s part of our psyche to want magic.

You all know about my love of fortune cookies. I blogged about it. Their meaning to me. Their potential for being correct for one’s life at a particular time.

I got one the other day that said, “IF YOUR WORK ISN’T FINISHED, BLAME IT ON THE COMPUTER!” Pretty cool. A lot of my work is done on the computer. But I get the point.

This project I am doing now is two fold. Doing the art for my solo show. Blogging about it. Allowing for a tangent, a rant. Tall order.

Blogging is time consuming. I don’t have to tell you that. But it could be looked at like this: Blogging will become my time manager.

I will have to paint. I will have to blog. I will have to paint in order to blog. Blogging will become my master. I will work for blogging.

To the contrary, the fortune cookie should have read “IF YOUR WORK ISN’T FINISHED, YOU ARE NOT GIVING THE COMPUTER ENOUGH CREDIT!”

Piece Of My Heart

Here I continue to post works of art in preparation for my next New York show.

The image above is from the Brooklyn Art Library’s Sketchbook Project. Fairly recently, I got a hold of one of the 28,000 or more blank sketchbooks issued to people all over the world and decided to make a sketchbook for the tour. And when the sketchbook tour came to Atlanta, I “checked out” my book. (These clever people have the tour set up like an actual library!) And looked at it again. Had to put it back, though, for the rest of its journey.

Because I plan to make a video animation of its artwork someday, I had it photographed. While my sketchbook was tooling around for others to see, I had the opportunity to alchemize it. I love to recycle ideas and extend projects.

Since I will never be able to touch the sketchbook again (It returned to Brooklyn with the other thousands of sketchbooks) and I will never turn its pages or mark it to make it different, I had no choice but to bring it out of its virtual world. And into the world I can alter.

The beginnings of this new series of work start with inkjet printed pages of the sketchbook. Bringing the work once again back to me. To look at and make different.

Piece Of My Heart

Here I am again. It has been a long time since I posted anything on a regular basis.

I am beginning a new series for my blog. I like to group things. I like projects. It was that way with “Afloat: An Installation”, my online exhibition here on WordPress. 100 collages, a day at a time.

The online show, “Afloat”, a continuation of the actual installation, shown in New York six months prior and reviewed by the Entertainment Editor in the Atlanta Journal/Constitution! The editor liked my commentary as much as he liked the images themselves.

Although I am not doing this blog series as a continuation of an actual exhibition, as I did the last time, I probably will do the same banter and stream of consciousness stuff I did before. This brand new project will be different in its visual content however. What you will see is a “working toward” another solo show in New York sometime in the next year or so…..process, finished pieces, drawings for finished pieces and things like that.

I hope you enjoy it. Please, feel free to comment. That is what makes doing these entries so much fun for me! And hopefully, for you as well.

Day Seventy-Seven/Image Seventy-Seven

“Afloat” Image. Ceres Gallery. New York. Solo Show.

Google captures some of my earlier stuff (Google captures everyone’s earlier stuff) where I went a little crazy with natural disasters. I even had a solo show in Atlanta where, although I did not mention natural disasters in the title of the exhibition, the entire body of work consisted of volcanoes and floods.

I exhibited in a solo show in New York with this kind of work also, but I did own up to the subject matter this time by using the title, “Tectonics”. In both of these shows and in all the work I do with this theme, I approach it from an aesthetic point of view. I love explosions, tidal waves, fire and brimstone. I like the chaos, color, motion and excitement. The nature of natural disasters encapsulates these things.

The above work is one of the collages from the “Afloat: An Installation” series, using this theme. Flames and explosions amid a lovely valley near a snow-covered mountain. I searched extensively to find magazines with fire, explosions and smoke on the printed page. (I do not use photoshop or internet images ever. All of my collage work is cut paper from magazines and other printed material) I like cut printed material for this type of art because even magazines are now on the internet. I am combining what-is-becoming old fashioned materials with an old fashioned medium.

What is not hard to find, however, in magazines, are flowers. And I love how I put the foreground flames side-by-side with over-sized flowers. As if to say, hey, all is okay.

Day Seventy-One/Image Seventy-One

“Afloat” Image. Ceres Gallery. New York. Solo Show.

Pansies. I love pansies. Here they thrive in the winter. Rows and clusters of them are being planted in huge quantities now at all gas stations, median strips, apartment complexes. People are buying them to put in their flower beds. I am too busy with this blog, I don’t know how I am going to get any artwork done.

But when I see pansies. With their sweet, upturned faces, sometimes shivering in the cold, I turn all Southern and say, “They hung the moon.”

Day Sixty-Nine/Image Sixty-Nine

“Afloat” Image. Ceres Gallery. New York. Solo Show.

The basement studio is almost finished. Everything in it is white. Floor, walls, table, brick wall. I am even spray-painting random “junk” items to reside there. Still keeping my studio downtown, which remains my sanctuary.

Everything is crystal-clear in my studio downtown: focus, attention to detail, ideas. It’s a wonderful space, located in an historical building on the National Historical Building Register. Heat is negligible. And in the summer it’s very hot. Peeling lead wall paint and asbestos flooring (which I covered with particle board.) An earthly place. I can totally relax.

There, the floor and walls are white too, as color is important to me. Do you know that surrounding white extracts a small amount of color out of every color? When I paint there, I make the colors brighter. When work is in a gallery, the effect is the same. Hence my desire for white. I wanted to be working on things as they will be seen.

Recently I hung a painting of mine, not too large, maybe 36″ x 48″ in a patron’s (Is that too pretentious?) office. The man has taupe walls and some blue on an adjacent wall. The blue “matched” and the taupe “matched.” It sold the painting. I have to admit, the colors were exactly were the same. My purist preference would have been, to have him appreciate the artwork on its own, which he truly did. But the matching, well you know….. To sell a painting is so wonderful, but to sell one appreciated on its own terms is even better.

Again, white is everywhere. To keep me on the right path.